
Like so many
concepts in anthropology, the issue of globalization both informs
and confounds the lives of my students. One quarter I had a very
gifted student named Gombu who had studied contexts of
globalization in Tibet. For his class project he developed a
unique game that illustrated the problems with ‰supply side‰
arguments for globalization. His work included a complex game of
exchange in which different social classes competed for markets
at the expense of workers. The game was both unique and
informative as it offered students a hands-on understanding of
the economic disparity associated with globalization.
In Strategies in
Teaching Anthropology (second edition), I develop a
pedagogical technique involving the emerging arena of visual
culture; it involves the use of instant cameras. As I offer in
the article:
The intent of
the assignment is to stress the relationship between cultural
content and representational method in anthropology. In
visual anthropology we analyze films as they relate to these two
areas. Recently I began to incorporate more media in our
class considerations of visual culture. In addition to
working with the visuality of the World Wide Web, I ask my
students to reflect on visual culture as it is manifested in
everyday optical devices‰these the tools of what is sometimes
called ‰camera culture.‰ The assignment involves the use
of instant cameras. I originally asked my class to purchase
Polaroid Pop Shots cameras because I wanted to have consistency
in the size and number of photographs as well as the level of
photographic control available to the photographer. Since
its original inception, I have allowed students to use other
cameras because of the expense of disposable cameras. The
students are asked to mount their photos on paper and, if they so
choose, provide captions for the photos. The captions may
include personal statements, statements of informants or
quotations from texts. Regardless of the formal aspects of
the assignment, students are requested to use the cameras to
document one of the following options: (1) a cultural theme, (2)
biography. Especially when there is a balance of the two
options, I ask my students to present their storyboards in class.
The opportunity for all of us to reflect on visual representation
in the areas of biography and other cultural themes is
invaluable.
As the examples of
the final work illustrate, the important insights of visual
anthropology can be understood in the context of experimenting
with new media that are an intimate part of our students‰ lives.
As an anthropologist I would like to develop a critical awareness
in my students as it relates to the use of media in our culture.
Of the two examples provided, one was an interesting analysis of
the role of water in the visual culture of South Lake Tahoe, the
other a focus on the visual construction of nature in the same
city.